Eating Disorders: Symptoms, Signs, Causes Essay

What is a dietary issue? All things considered, one of the numerous definitions for a dietary problem is any scope of mental issue portrayed by upset dietary patterns; which incorporate anorexia nervosa (A), bulimia anxious (BN) and pigging out confusion. (Refer to). All dietary issues have comparable qualities. This could be a dread of getting fat, food, weight or calories. The motivation behind why I need to concentrate on this populace is that dietary issues are a critical issue during the immature years influencing up to 5% of youthful young ladies (Golden et al., 2003). Somebody experiencing a dietary problem has an extremely undesirable relationship with food that is getting into numerous zones of their regular daily existence. An individual may eat practically zero food, eat absurdly huge measures of food, be captivated by considerations of food or work out, and have a contorted self-perception. The Diagnostic and Statistical Manual of Mental Disorders fifth release (DSM-V) perceives four fundamental dietary problems: anorexia nervosa, bulimia nervosa, gorging turmoil, and dietary issue not in any case determined (EDNOS). (Refer to DSM-5).The indications of a dietary problem will shift and may incorporate refusal to eat, outrageous exercise, social withdrawal, self-initiated heaving or voraciously consuming food. Numerous families that have a relative that experiences a dietary problem likewise have an expanded danger of discouragement, weight, substance misuse or expending a lot of food. Individuals that experience the ill effects of dietary issues may battle socially, genuinely or potentially intellectually, there are likewise numerous manifestations and signs to look for. (article 7) Reasons for Eating Disorders: Dietary problems are perplexing disarranges, impacted by a faã §ade of components. Thought the specific reason for dietary problems is obscure, it is by and large accepted that a blend of organic, mental or potentially natural variations from the norm add to the improvement of these diseases. (Refer to Article 4) Organic Factors: With regards to organic factors some incorporate; certain individuals may have unpredictable hormone works that expansion their danger of creating dietary issues. Hereditary qualities (the tie between dietary problems and one’s qualities is as yet being intensely explored, yet we realize that hereditary qualities is a piece of the story). Furthermore, finally, there are nourishing insufficiencies; which is an insufficient gracefully of fundamental supplements in diet bringing about unhealthiness or malady. (Mayo Clinic) Mental Factors A portion of the mental components or passionate wellbeing incorporate individuals with a negative self-perception. They may have low confidence, hairsplitting hasty conduct and upset associations with companions and friends and family. (Article 4) Ecological Factors Ecological variables or social factors that would add to the event of dietary issues are useless relational intricacy, callings and vocations that advance being slim and weight reduction, such displaying. Tastefully arranged games, where an accentuation is put on keeping up a slender body for improved execution. Family and youth injuries: youth sexual maltreatment, extreme injury and social or potentially peer pressure among companions and colleagues. (Article 6) Signs and Symptoms: (CITIE Article) Manifestations may shift contingent upon the sort of dietary issue. A man or a lady experiencing a dietary issue may uncover a few signs and manifestations that are both the equivalent and unique. Anorexia Nervosa Anorexia is conceivable dangerous dietary issue described by an atypically low body weight, extreme dread of putting on weight and uneven impression of weight or shape. Individuals that experience the ill effects of anorexia utilize hazardous endeavors to control their weight and shape, which regularly intentionally meddles with their way of life. Fixation on calories and fat substance of food or utilize different strategies to get in shape, for example, having participating in formalized eating designs, including, cutting food into little pieces, eating alone, or potentially concealing food. (Refer to article 5) Bulimia Nervosa Bulimia is a genuine, hypothetically hazardous dietary issue. At the point when you have bulimia, you have scenes of gorging then vomiting that include feeling an absence of power over your eating. Numerous individuals with bulimia likewise confine their eating during the day, which frequently prompts more voraciously consuming food and cleansing (Cite article 3). During these scenes, bulimics regularly eat a lot of food in a brief timeframe, and afterward attempt to free of the additional calories in an unfortunate manner. In light of blame, disgrace and an extraordinary dread of weight gain from gorging, they may constrain heaving (cleansing bulimia), practice excessively, or utilize different techniques, for example, purgatives, to dispose of the calories (no cleansing bulimia). Regardless of whether you are bulimic, you’re without a doubt distracted with weight and body shape and may judge harshly and brutally for self-saw imperfections. Bulimic might be at an ordinary wei ght or even somewhat overweight. (Refer to article 4) Voraciously consuming food Disorder With regards to a gorging issue, numerous consistently eat an excess of food (gorge) and feel an absence of command over eating. Eating rapidly or eat more food than expected, in any event, when not eager, and may keep eating even long in the wake of getting awkwardly full. After a gorge, there may sentiment of blameworthy, disturbed or embarrassed by the conduct showed and the measure of food eaten (Cite Article 2). Many will attempt to however don't attempt to make up for this conduct with unreasonable exercise or cleansing, as somebody with bulimia or anorexia would. Humiliation can prompt eating alone to cover up gorging. Another round of gorging as a rule happens at any rate once per week. Many might be typical weight, overweight or large (Cite article 1) Medicines: Treatment of a dietary problem for the most part incorporates a group approach. The group regularly incorporates clinical suppliers, psychological well-being suppliers and dietitians; all with involvement with dietary problems. Huge numbers of the medicines are based around your particular kind of dietary problem. Be that as it may, when all is said in done, it ordinarily incorporates psychotherapy, sustenance training and drug exhaustive being either an outpatient, or inpatient and if your life is in danger the chance of being hospitalized. (CITIE ARTICLE 2). Psychotherapy, otherwise called talk treatment can help figure out how to supplant undesirable propensities with solid ones. Psychotherapy can likewise assist with improving the connections and dispositions. Psychotherapy can incorporate both Cognitive Behavioral treatment and Family Based Therapy. (Refer to Article 3) Subjective Behavioral Therapy Subjective Behavioral Therapy (CBT) is pertinent to all dietary problems yet has been most seriously concentrated in the treatment of bulimia nervosa (BN). CBT is intended to adjust irregular mentalities about body shape and weight. (Refer to ARTICLE 1) CBT is viable in diminishing all center highlights of BN and shows great support of helpful improvement. Family Based Therapy Family Based Therapy (FBT) is a proof based treatment for youngsters and over adolescents managing dietary problems. The family is engaged with ensuring that the kid or other relative follow good dieting designs and keeps up a sound self-perception and weight. (Refer to article 1) Outpatient: The objectives of this type of treatment incorporate reestablishing a typical weight and keeping up that weight, overseeing physiologic variations from the norm, lessening the comorbid mental manifestations, for example, despondency, and changing the essential contemplations that are hidden the anorexia. Bulimics require comparable clinical administration with the objective of the treatment being the reclamation of a standardized eating design liberated from the gorge and additionally cleanse cycle. (Article 6) Incomplete Hospitalization: For the patient with anorexia nervosa (A) who have had rehashed hospitalizations, an incomplete hospitalization treatment plan is suggested. The fractional hospitalization treatment ought to follow a gathering treatment model and ought to incorporate healthful directing, dinner arranging and extra gatherings, for example, social abilities preparing. For a patient with BN who are experiencing significant change from inpatient to outpatient treatment or those whose pigging out then vomiting have started to meddle with their working might be treated in incomplete hospitalization. (Article 3) Inpatient Treatment: The measures requirement for hospitalization for both anorexia and bulimia incorporate unsteady ailments. Weight reduction of 10% to 15% or increasingly typical for backslide just or 16% to 20% or more on the off chance that it is a patients’ first scene. (Refer to article 1). The inpatient hospitalization creatures with a full assessment, including a mental and clinical assessment. Patients with anorexia are taken care of at first with supplemental fluid feedings 6 times each day until they are inside at any rate 10% of their objective weight. Patients who decline the feedings reliably and don't put on weight are given feeing through nasal gastric cylinders (Mayo Clinic). Bulimic patients being with food plate. The objective for the two anorectics and bulimics is self-directed weight support. This is done through letting the patient self-choosing suppers after a time of weight support inside their range. Both the bulimic and the anorectic are members accordingly counteraction procedures planned to forestall any cleansing conduct. (John Hopkins) Future Practitioner Helping Individual with Eating Disorders from Empowerment and Strength Perspectives The strengthening viewpoint and the quality based methodology cooperate. In social assistance work, the qualities based methodology includes assistants featuring the client’s qualities and not their setbacks. There are various approaches to engage customers; and how strengthening can profit the customers and social administrations laborers perspectives, connections and so on. Social specialists should know and practice strategies for strengthening viably to have the option to have confidence in their client’s qualities, capacities, and dreams. (Refer to strengthening article). Strengthening doesn't give individuals power, individuals as of now have a lot of intensity. Strengthening is defin

Free Essays on Analysis Of “A Good Man Is Hard To Find“

Examination of â€Å"A Good Man is Hard to Find† The short story by Flannery O’Connor, â€Å"A Good Man is Hard to Find†, is about a family that gets away to Florida and by one way or another en route figures out how to get killed by a man who calls himself â€Å"The Misfit†, and two of his companions. Flannery O’Connor’s story has numerous significant components, however what makes this story unique is the joined utilization of character improvement and incongruity. The short story, â€Å"A Good Man is Hard to Find† by Flannery O’Connor was written in 1955 during when the vast majority in little networks were strict and followed the Christian confidence carefully. In the story, the grandma and The Misfit quickly talk about religion, especially about Jesus and the wonder of restoration from the dead. O’Connor’s utilization of this strict conviction requests to the crowd of the 1950’s such that perplexes the peruser and makes a secretive marvel of vulnerability for the foe of the story. With this character improvement, the grandma commits a specific unexpected error that makes The Misfit consider the awful things he has done. In the story The Misfit stated, â€Å"Jesus was the one in particular that at any point raised the dead,† The Misfit proceeded, â€Å"and He shouldn’t have done it. He thown everything wobbly. On the off chance that He did what He stated, at that point its nothing for you to d o except for thow away everything and tail Him, and in the event that He didn’t, at that point its nothing for you to do except for appreciate the couple of moments you got left the Bets 2 most ideal way you can-by slaughtering someone or torching his home or doing some different unpleasantness to him. The grandma committed the awful error and stated, â€Å"Maybe He didn’t raise the dead.† She starts a fire of hatred and outrage The Misfit has for all the terrible things he has done. At the point when he stated, â€Å"I wasn’t there so I can’t state He didn’t.† The Misfit shows a passionate dought that perhaps all that he ... Free Essays on Analysis Of â€Å"A Good Man Is Hard To Findâ€Å" Free Essays on Analysis Of â€Å"A Good Man Is Hard To Findâ€Å" Examination of â€Å"A Good Man is Hard to Find† The short story by Flannery O’Connor, â€Å"A Good Man is Hard to Find†, is about a family that gets away to Florida and some way or another en route figures out how to get killed by a man who calls himself â€Å"The Misfit†, and two of his companions. Flannery O’Connor’s story has numerous significant components, yet what makes this story unique is the joined utilization of character advancement and incongruity. The short story, â€Å"A Good Man is Hard to Find† by Flannery O’Connor was written in 1955 during when a great many people in little networks were exceptionally strict and followed the Christian confidence carefully. In the story, the grandma and The Misfit quickly examine religion, especially about Jesus and the supernatural occurrence of revival from the dead. O’Connor’s utilization of this strict conviction bids to the crowd of the 1950’s such that perplexes the peruser and makes a secretive miracle of vulnerability for the rival of the story. With this character advancement, the grandma commits a specific amusing error that makes The Misfit consider the awful things he has done. In the story The Misfit stated, â€Å"Jesus was the one in particular that at any point raised the dead,† The Misfit proceeded, â€Å"and He shouldn’t have done it. He thown everything wobbly. On the off chance that He did what He stated, at that point it s nothing for you to do except for thow away everything and tail Him, and on the off chance that He didn’t, at that point its nothing for you to do except for appreciate the couple of moments you got left the Bets 2 most ideal way you can-by executing someone or torching his home or doing some different unpleasantness to him. The grandma committed the horrible error and stated, â€Å"Maybe He didn’t raise the dead.† She starts a fire of hatred and outrage The Misfit has for all the awful things he has done. At the point when he stated, â€Å"I wasn’t there so I can’t state He didn’t.† The Misfit shows an enthusiastic dought that possibly all that he ...

Tiananmen Square Massacre Essay Example | Topics and Well Written Essays - 1000 words

Tiananmen Square Massacre - Essay Example On April 15 of 1989, Hu Yaobang, previous Communist gathering boss and a main reformist, kicked the bucket of a respiratory failure. He was a well known figure among hostile to socialist residents and his demise was an impetus for the fights paving the way to and coming full circle in the Tiananmen Square Massacre. Grievers start to assemble in Tiananmen Square to communicate their misery and dissent the moderate pace of change in China. (History.com, 2009) In the next days, quantities of dissenter in Beijing develop into thousands, and exhibitions start showing up in urban communities and colleges across the country. Understudies and laborers fight for more noteworthy opportunity and majority rules system and a conclusion to what they called tyranny. Dissidents whine about expansion, pay rates, and lodging issues. A huge number of understudies assemble outside the Great Hall of the People in Tiananmen Square on April 22nd as Hu Yaobang’s dedication administration is held despite the regional government's past notice that they would chance extreme discipline.

Maturation of T.S. Eliots Style - Literature Essay Samples

In many respects, T. S. Eliot’s poems â€Å"articulated the disillusionment of a younger post-World-War-I generation with the values and conventions—both literary and social—of the Victorian era† (American National). Eliot used The Waste Land and The Hollow Men to illustrate his feelings of a brutal age of war. The Waste Land was â€Å"taken over by the postwar generation as a rallying cry for its sense of disillusionment† (American National). These feelings of disillusionment gave way to a more stable religious theme, such as in Journey of the Magi, later in Eliot’s career. T. S. (Thomas Stearns) Eliot was born September 26, 1888. Until he was eighteen, Eliot lived in St. Louis and then went on to attend Harvard. At twenty-two, after earning both a bachelor’s and master’s degree, Eliot moved to the Sorbonne University in Paris. After spending a year at the Sorbonne, Eliot returned to Harvard to pursue a doctorate in philosophy, but in 1914 he moved to England. In 1915, Eliot married his first wife, Vivienne Haigh-Wood, and they moved into a London flat with Bertrand Russell. Not only did Russell share his flat with the Eliots, but he also shared with them his social connections. With Russells help Eliot met many of Europe’s elite, including Ezra Pound. Pound helped Eliot to meet many of his contemporary authors, poets, and artists. Eliot and Russell’s relationship soured over Russell’s romantic involvement with Vivienne, which led to Eliot not attending his Ph.D. dissertation defense. It was during this time that Pound recognized Eliot’s poetic ability, and â€Å"in 1917 he received an enormous boost from the publication of his first book, Prufrock and Other Observations, printed by the Egoist with the silent financial support of Ezra and Dorothy Pound† (American National). Prufrock established Eliot as a leading poet of the twentieth century. The years of Eliot’s poetic maturation were accompanied by familial hardship. Eliot’s father died in 1919, at the same time as Vivienne’s mental and physical health started to deteriorate, and the emotional strain on Eliot took its toll. In 1921, Eliot suffered from a nervous collapse, and on his physician’s advice he took a three-month’s restive cure. Whether it was because of the breakdown or the long-needed rest he received afterwards, Eliot recovered from a severe case of writer’s block. He took the time to finish a poem he had started in 1919, which became The Waste Land. The poem’s intensity stems from a blending of the horrors of Eliot’s life, the recently fought war, and many literary influences from English mythology. Although written during a very trying time in his life, it was the publication of The Waste Land that made â€Å"Eliots reputation grow to nearly mythic proportions; by 1930, and for the next thirty years, he was the most dominant figure in poetry and literary criticism in the English-speaking world† (American National). The Waste Land reveals itself as aptly titled, especially when the difficult and dream-like verses have yielded their secrets. The melancholy and morose lyrical feast unveils the aridity and impotence of modern civilization in a series of sometimes realistic and sometimes surrealistic mythological episodes, whose perspectives overlap and underline each other with an indescribable total effect. The complete poem cycle consists of a mere 436 lines, but actually it contains more meaning and impact than most novels of as many pages. The Waste Land is now more than eighty years old, but unfortunately it has proved that its catastrophic visions still have undiminished clairvoyance in the shadow of the digital age, and as Eliot stated about his own work: â€Å"I don’t see why the prospect of human annihilation should affect the poet differently from men of other vocations. It will affect him as a human being, no doubt in proportion to his sensitiveness† (Hall Interview 221). The surreal nature of The Waste Land is in itself a means to Eliot’s ends. The poetic juxtapositions he uses allow Eliot to produce a feeling of shock and awe to offset his message of a hopeless new age. The poem’s discontinuity, from this perspective, is a symbolic form of the confusion of awakening from a deep slumber. The poem’s use of allusions to the past as well as its form must be read as a sign of the disruptive power of primal forces reasserting themselves. It is hopeful to a Christian society to believe that it lives in a world where God is not dead, but the poem is not about such a world. The hope that The Waste Land holds is a negative one: â€Å"[t] he fact that men have lost the knowledge of good and evil, keeps them from being alive† (Brooks 186). The Waste Land does not merely reflect the passing of the golden age of Victoria, but shows Eliot’s feelings of a society where people walk around morally dead. Beneath Eliot’s scathi ng criticism there lies a â€Å"profound and painful disillusionment, and out of this disillusionment there [grows] forth a feeling of sympathy, and out of that sympathy [is] born a growing urge to rescue from the ruins of the confusion the fragments from which order and stability might be restored† (Nobel). The Waste Land was Eliot’s first long poem, and can be read as his philosophy on the need to still destructive human desires. There is little hope found in The Waste Land; its major theme is the inevitable collapse of society through the â€Å"Unreal City,† which Eliot seems to use to represent post-war urban areas. This â€Å"Unreal City† is always â€Å"[u] nder the brown fog† (Waste Land â„“â„“ 61 208), which seems to represent the pall of death that hung over much of Europe after World War I. The â€Å"Unreal City† is a nightmarish place that parallels the urban decay and disintegration of the majority of Europe’s cities after WWI. The poems finale is an orgy of elemental and social violence, with â€Å"[those] who were living [†¦] now dying† and the â€Å"red sullen faces [that] sneer and snarl from doors of mudcracked houses† (Waste Land â„“â„“ 329 344-45), representing the inevitability of death and the fear of man. What the poem attempts here, by pointing out the slow descent to death and the fear ascribed to that death, is the achievement of an elaborate code of conduct that is indicative of the desires, which Eliot feels should be repressed. However, Eliot, consumed by the rigors of his domestic life, found it hard to fully appreciate his success. In 1923, Vivienne almost died, which nearly sent Eliot into a second emotional breakdown. Over the next two years, Eliot continued down his path of emotional despair, until a lucky chance allowed him to quit his overly demanding job at Lloyd’s Bank. The infant publishing company of Faber and Gwyer saw the advantage of having a literary editor who was versed both in letters and business and hired Eliot. Eliot had finally found a job for which he was suited. The seeds of his future faith take root in The Hollow Men, although when published in 1925 the poem reads as the sequel to the philosophical despair of The Waste Land. Although The Hollow Men is not truly a sequel to The Waste Land, it is a thematic appendix to this earlier work. Like The Waste Land, The Hollow Men shows the depths of Eliot’s despair and need for a compass by which to guide himself. By starting the poem with â€Å"Mr. Kurtzhe dead,† Eliot taps into Conrad’s theme in Heart of Darkness of the death of the gods of primitive men. The death of Kurtz, the god of Conrad’s African primitives, shadows the death of the primitive elemental forces that govern Eliot’s life, like some ancient thunder god. With the death of his primitive gods, Eliot becomes one of the hollow men and must find something with which to fill himself up again. The Hollow Men takes place in a twilight world of lost souls and disembodied forces. This world is peopled by â€Å"[s]hape[s] without form, shade[s] without colour, paralysed force[s], gesture[s] without motion† (Hollow â„“â„“ 11-12). These hollow men are walking corpses, soulless individuals who do not know that they have lost their souls. These men live in a â€Å"valley of dying stars† (Hollow â„“â„“ 54), a land that is as hollow as they are themselves. The hollow men avert their eyes not only from each other, but also from the eyes of the divine; they are empty men estranged from God. They are the shadow that isolates men from each other and the divine; these hollow men are the unenlightened masses, devoid of a moral compass. These hollow men share the fate of â€Å"inhabit[ing] ‘death’s dream kingdom,’ not remembered, to be sure, as ‘lost violent souls,’ but, not on the other hand, even memorable† (Kenner 161). Although there is little hope for the hollow men in their â€Å"twilight kingdom† (Hollow â„“â„“ 38), there is life outside in â€Å"death’s other kingdom† (Hollow â„“â„“ 46). This other kingdom, God’s kingdom, is peopled by the stuffed men: those who found their souls and are no longer hollow. Eliot’s hollow men seem to believe, at least to some degree, that if they withstand â€Å"the twilight kingdom† they may find some rebirth in â€Å"death’s other kingdom.† Through Eliot’s use of the snippets of the Lord’s Prayer in the poem’s conclusion, he implies that the hollow men’s adverted eyes may once again turn to the divine and they may become members of the stuffed men. The Hollow Men seems to be Eliot’s final exorcism of the dà ¦mons of his troubled youth. Merely two years after the publishing of the poem, Eliot’s life began to head in a slightly more stable direction. In 1927 two important things happened in Eliot’s life: he found God in the Church of England and he became a British citizen. Although Eliot’s marriage and personal life continued to disintegrate, he began to find solace in his new relationship with God. Therefore, Eliot’s emotional turmoil of his youth gave way to a religious maturation both in his person and his poetry. With his latter religious poems such as Journey of the Magi, Eliot tries to capture God’s calming influence on his life and share it with others. Journey of the Magi is the monologue of one of the three wise men, come to see the nativity. Although he believes in the importance of the birth he comes to witness, proven by his willingness to travel to Bethlehem, the magi is not jubilant but melancholy. He has been â€Å"led all that way for Birth or Death† (Magi â„“â„“ 35-36), but does not comprehend that which he has truly come to see: the child’s birth or his own death. It is not until he witnesses the scene that the magi truly knows the answer. Upon his journey home the magi realizes the real reason for his journey: â€Å"It is not that the Birth that is also Death has brought him hope of a new life, but that it has revealed to him the hopelessness of the previous life† (Smith 122). This realization has not filled him with the fervor or elation of those touched by God, but the morose emptiness of one whose life has been exposed for the fallacy that it is. The magi must now return home to face the â€Å"alien people clutching their gods† (Magi â„“â„“ 42). His transformation is so complete that he can no longer relate to his own people, the magi now knows the true God, and the gods of his people become as alien to him as his people now seem. Eliot uses the magi to represent his own sacrifice; â€Å"he has reached essentially, on a symbolic level true to his emotional, if not to his intellectual, life, the humble, negative stage that in a mystical progress would be prerequisite to union† (Smith 123). In other words, Eliot has reached the very limit of personal tribulation, and through his acceptance of God, and the sacrifice of his old emotional turmoil he has been reborn into a new version of himself. â€Å"Uncertainty leaves [the magi] mystified and unaroused to the full splendor of the strange epiphany† (Smith 124), and Eliot seems to view his own sacrifice with some melancholy, as if his uncertainty matches the magi’s. Even though there is uncertainty in Eliot’s transformation, he has matured enough to realize the calmness of his faith is probably better in the long run than the â€Å"old gods† of his tumultuous heathenism. Through the reading of his work it is easy to see why, in 1948, Eliot was awarded the Nobel Prize â€Å"for his outstanding, pioneer contribution to present-day poetry† (Nobel). Just in examining these three poems alone, they can be seen as definitions of poetry itself: they masterfully show the emotions and experiences of the poet in a way that elicits a similar reaction from the reader. If these poems are considered among the complete body of his work, they retain the same meaning as well. Eliot spent his career cataloguing his life through its translation into poetry. This kind of expansive self improvement and refinement is a mark of achievement for anyone, but his ability to turn his life into verse to which anyone can experience sets Eliot apart as a truly great poet. Works Cited Brooks, Cleanth Jr. â€Å"The Waste Land: An Analysis†. A Norton Critical Edition: T.S. Eliot The Waste Land. Ed. Michael North. New York: Norton Company, 2001. pp. 185-210. Cooper, John Xiros. T.S. Eliot and the Politics of Voice: The Argument of The Waste Land†. Ann Arbor: UMI Research Press, 1987. Eliot, T.S. The Hollow Men. Collected Poems: 1909-1962. London: Harcourt Brace Company, 1991. Eliot, T.S. Journey of the Magi. Collected Poems: 1909-1962. London: Harcourt Brace Company, 1991. Eliot, T.S. The Waste Land. Collected Poems: 1909-1962. London: Harcourt Brace Company, 1991. Kenner, Hugh. The Invisible Poet: T.S. Eliot. London: W.H. Allen, 1960. pp. 161-164. â€Å"T.S. Eliot†. American National Biography. Ed. John A Garraty and Mark C. Carnes. New York: Oxford University Press, 1999. . â€Å"T.S. Eliot and Donald Hall†. Remembering Poets: Reminiscences and Opinions. New York: Harper Row, 1978. pp. 203-221. â€Å"T.S. Eliot Presentation Speech†. Nobel Lectures, Literature 1901-1967. Editor Horst Frenz. Amesterdam: Elsevier Publishing Company, 1969. Smith, Grover. T.S. Eliot’s Poetry and Plays: A Study in Sources and Meaning. Chicago: University of Chicago Press, 1956. pp.122-124.

Analysis Of Plato s Allegory Of The Cave - 949 Words

While reading Plato’s â€Å"Allegory of the Cave† I immediately saw similarities to a major life-changing event from my past. The life I was living was a cave that I did not even know I was stuck in. This life culminated in pain and suffering for myself and for others, yet it also facilitated the process of letting me find true freedom within myself. Through education and self-reflection, I was able to pull myself out of my cave, and now I work to bring others out of their caves as well. My cave was quite simply me not taking control of my life. I lived in a perpetual cycle of going with the flow, never really making an informed decision, and truly only striving for fun, no matter the costs. While in this cave, my view of the world along with my role in it was skewed to say the least. I did not know that the actions I was taking were affecting my life, and more importantly, the life of my family and friends. I did not understand that, as stated in Newton’s Third Law, â€Å"For every action, there is an equal and opposite reaction† (The Physics Classroom, 2015), which in this since, I interpret as karma. I was living a life bound for the grave and I was taking everyone else down with me. I used and abused everything in my pursuit of fun. This included drugs, money, and sadly people. I seen everything as an outlet for fun, and if I could not find a fun use for it, I would walk away from it. This caused me lots of needless pain, and more importantly, it hurt those who cared for me. ThenShow MoreRelatedPlato s Cave Allegory : Textual Analysis1300 Words   |  6 PagesPlato’s Cave Allegory A textual analysis â€Æ' Plato has been documented as one of history’s great thinkers, he was a student of Socrates learned how to think of the greater aspects in life and asking questions about life. He created a school for others to learn, to question the truth and broaden their horizons. 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Withnail I Screen Analysis Essay Example For Students

Withnail I Screen Analysis Essay Withnail I is a film about the journey of Withnail and Marwood, as they travel to a country town to get away from the city, and keep their minds off their boring lives. Both their lives were dull and unbearable as they spent all there money on alcohol and drugs to escape their reality. All they both thought about was when there next high was, and to try not stay sober for as long as they could. Withnail and Marwood both were working as actors however were struggling to get jobs; this caused a problem, as they could not pay there bills and were too lazy to get another job. Marwood is a quiet, intelligent, nice man who tries to not offend people’s feelings. Withnail is a selfish alcoholic, strong drug addicted man who is not used to the normal life/poor life as he grew up in a wealthy family getting many luxuries. I have chosen to analyse a shot from one of the first scenes of the film, only seven minutes into the film and lasting for 45 seconds. It is the scene set in Withnail and Marwood’s apartment, where they are both hangover. Withnail begins the shot smoking a cigarette while Marwood is drinking a bowl of coffee with a spoon. They start arguing with each other until Withnail decides to adventure into the kitchen, which is so messy, and smells of ‘rats’. The shot is constructed for approximately 45 seconds, and is filmed from the neck level of Withnial and Marwood. The reason the shot is constructed at neck level I believe is so we can see the emotions of the characters face. In the first few seconds of the shot we see Withnial and Marwood’s frustrated emotions as both of them are hangover and not in the mood to argue let alone do anything. The shot is constructed from a side on view only seeing the side half of both Withnial and Marwood’s body. This is done because both men have their hands gripped on each other’s clothes ready to get physical. The shot is framed perfectly having both men in the middle of the frame, leaving an equal and comfortable feeling on the audience, as apposed to if they were placed to one side of the frame the audience would feel unbalanced and uncomfortable. The use of this shot having both men viewed on the side grabbing each other explains the frustration and anger drugs gives you and how through out the movie both characters continued to be frustrated and angry wether it be they don’t have a place to stay in the country or they feel unsafe. In the background of the shot there is empty wine bottles and junk lying around the shelves of the apartment. This shows that they don’t care about their living environment; they just want something to get them on a high. They both want to escape their reality, which is actors without a job, by taking drugs and alcohol. The shot of both men together holding each others jacket in a physically manor ready to start fighting is extremely well compassioned, because it shows Withnail looking down on Marwood as he is small; it also contradicts that Marwood is the weaker man, less opinionated and at the beginning a less successful actor. Withnail being taller looking down expressed that he is of higher class as he came from a rich family, smarter, and more courageous. The men begin to wrestle into the kitchen as Withnial wants to do the ‘cleaning up’, however Marwood is frightened that there are rats in the dishes so he jumps on his back and tries to stop him. The camera is hand help as it shakes a little bit while it moves from the living room to the kitchen. As the men both quickly walk into the kitchen the camera follows, however not at the same speed as Withnail and Marwood. .u459bf07189dfa15aed9f2f37eedeb21b , .u459bf07189dfa15aed9f2f37eedeb21b .postImageUrl , .u459bf07189dfa15aed9f2f37eedeb21b .centered-text-area { min-height: 80px; position: relative; } .u459bf07189dfa15aed9f2f37eedeb21b , .u459bf07189dfa15aed9f2f37eedeb21b:hover , .u459bf07189dfa15aed9f2f37eedeb21b:visited , .u459bf07189dfa15aed9f2f37eedeb21b:active { border:0!important; } .u459bf07189dfa15aed9f2f37eedeb21b .clearfix:after { content: ""; display: table; clear: both; } .u459bf07189dfa15aed9f2f37eedeb21b { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u459bf07189dfa15aed9f2f37eedeb21b:active , .u459bf07189dfa15aed9f2f37eedeb21b:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u459bf07189dfa15aed9f2f37eedeb21b .centered-text-area { width: 100%; position: relative ; } .u459bf07189dfa15aed9f2f37eedeb21b .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u459bf07189dfa15aed9f2f37eedeb21b .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u459bf07189dfa15aed9f2f37eedeb21b .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u459bf07189dfa15aed9f2f37eedeb21b:hover .ctaButton { background-color: #34495E!important; } .u459bf07189dfa15aed9f2f37eedeb21b .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u459bf07189dfa15aed9f2f37eedeb21b .u459bf07189dfa15aed9f2f37eedeb21b-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u459bf07189dfa15aed9f2f37eedeb21b:after { content: ""; display: block; clear: both; } READ: Lennie analysis EssayThis creates suspense for the audience as we see both men in shock as they are standing by the dishes and the camera has not arrived there yet. This sets the audience up for the rest of the film as there is a lot of moments where suspense and tension take over, leaving the audience not being able to know what happens next. This is what makes this film entertained and enjoyable to watch. Towards the end of the shot it shows the back of both Withnail and Marwood’s upper bodies and the massive pile of dishes waiting for someone to clean them. They both stand there in fear of the smell and that a rat might come out. The shot is composed having Withnails upper back on the left and Marwood’s upper back on the right, not being able to see any facial expressions, however we can hear dialogue, leaving in between both men a disgusting pile of messy/unclean dishes. The messy dishes not only show that Withnial and Marwood are lazy, disgusting men who don’t look after themselves, however also represents their lives. Both men don’t have any work for their acting career, and are too lazy to get a part time job until they get their big break. Both their lives are scheduled around drugs and alcohol, as they have nothing else to do or look forward to in live. The shot having both men surrounded by the messy dishes shows the audience that they’re the dishes, dirty, lazy, unfocused, and just waiting for something to happen for them. This continues later on in the film when them both get into an uncomfortable situation they call Monte for help. They both act like children, as they don’t know how to look after themselves. The natural lighting at the start of the shot was darker than the second part of the shot. While they were in the living room the lighting was darker as they both were hangover and depressed. The second part of the shot in the kitchen was brighter as the window was open and because both men have decided to actually clean the kitchen. The audience would feel that the characters are indecisive, going from hangover to motivated in a matter of seconds. This continues throughout the film as they go up and down on thee journey to the country. Overall the shot was very effective and powerful as it explained to the audience the characters lifestyle and habits, and then set the film up for the later occurrences with the same issues. Bibliography: Withnail I 1987 , HandMade Films, United Kingdom. Distributed in Australia by Umbrella Entertainment

Submitting A Descriptive Essay

Submitting A Descriptive EssayIt can be easy to fall into a rut when writing a descriptive essay and you might even be tempted to stay there. But if you want to make your class time count and be successful, then you must re-read your topic each time you write it. Do you need some suggestions on the best topics to use? Find out below!Relevant topics: if you are asking students for helpful insights, be sure that you have some sort of test or assignment ahead of time. You want your topic to be able to provide answers to questions that students might have. Try not to sound like a sales pitch or a student-salesperson kind of a situation. The best kinds of topics for this kind of situation are the ones that have obvious answers. These include things like where to find information about the subject, how to make the best use of the internet and what questions a professor might ask.Personal Information: If your subject is something as simple as 'What is an e-mail address?' or 'Who has the mos t emails in the market?' be sure that you present these as factual facts. In addition, don't use them as examples if you're simply passing along information that you found on the internet or from someone else.Attention Grabber: Instead of providing an in-depth explanation, try using this as the focal point of your topic. Try to focus on an issue that's big enough to make a difference. Then let your reader fill in the rest of the information.Top-Notch Organization Skills: Be sure that you have an organized topic. If you are providing a list of e-mail addresses, get them into a format that is not too confusing. Also make sure that you go through your essay a few times before publishing it. This will ensure that you cover all of the bases for your subject.When writing an introduction: make sure that you are writing a short paragraph that doesn't contain as many words as possible. Then write an introduction to your main points. Always make your introduction with a summary of your main p oints. After you provide a brief description of your topic, you can move on to a few short paragraphs to provide more detail.Summary: Another great tip to follow is to always provide a short, one-paragraph summary of your topic. This summary can serve as a recap of your information. In addition, if you feel like you're running out of steam, then you can always add in a couple more paragraphs to really give the readers a little more depth and to really drive home your main points.Get Help: If you are struggling with grammar rules, then don't be afraid to seek out help. There are many good resources that are available online that will allow you to take care of your writing before you publish it. Also, there are a variety of materials that can help you break down the big topics for you and get you moving towards getting the better grades that you deserve.